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Judge Collin Lamont has ruled in Johannesburg’s High Court that the song Dubil’ibhunu, also known as Shoot the Boer, used during the anti-apartheid era in South Africa, and adopted by the ANC Youth League following the murder of Chris Hani in 1993, is hate speech and that “no justification exists allowing the words to be sung … the words of one person inciting others – that is how a genocide can start”; he condemned the lyrics as “derogatory, dehumanising,” Afrikaaner rights group Afriforum had complained about ANC Youth League leader Julius Malema singing the song at political rallies last year. However an ANC spokesman has said that the ANC viewed “this judgment as an attempt to rewrite South African history. This ruling flies against the need to accept our past and to preserve our heritage.” The song has a long history of causing controversy, perhaps most notably recently when Bono, during a tour of South Africa appeared to endorse the song, comparing it to Irish rebel songs – as reported in an earlier news item. The lyrics are certainly strident and unambiguous – starting

Ayasab’ amagwala (the cowards are scared)

dubula dubula (shoot shoot)
ayeah 
dubula dubula (shoot shoot )

ayasab ‘a magwala (the cowards are scared)

dubula dubula (shoot shoot)

awu yoh 
dubula dubula (shoot shoot)

aw dubul’ibhunu (shoot the Boer)

dubula dubula (shoot shoot)

aw dubul’ibhunu (shoot the Boer)

The online e-zine Jadaliyya, an independent ezine produced by ASI (Arab Studies Institute), a network of writers associated with the Arab Studies Journal, has posted a video of protesters in Tahir Square singing their renewed demands for change on 27th May.

Afrikaans Singer Use of “K” Word – and Retraction

May 22nd, 2011 | Posted by John Powles in Africa - (Comments Off)

A few days ago Afrikaans singer Steve Hofmeyr caused a storm of criticism and controversy in South Africa by publishing the lyrics of a song – The song, Ons sal dit oorleef (We will survive it) – which refers to black people using the highly offensive term “kaffir”. Hofmeyr reportedly dedicated the song to Eugene Terre’Blanche, the white supremacist founder of the Afrikaner Resistance Movement, who was murdered on his farm last year. One verse, translated from Afrikaans by the Times of South Africa, reads:

My heart beats like a beetle,where it breaks for my people, before the khaki [British soldiers in the Boer War] cannon or the kaffir’s dagger. It doesn’t matter any more where we find ourselves, we will survive it.”

The lyrics were condemned by South Africa’s Institute for Race Relations saying “The comments are racist in the worst traditions of racial nationalism. If Hofmeyr thinks he can fight racism with racism, he is as foolish as he is racist.

Hofmeyr said that he wrote the song in retaliation for the singing of Shoot the Boer (see Giving Voice Workshops earlier news item by members of the governing African National Congress (ANC).

However it has now been reported in the Beeld that Hofmeyr has agreed to drop the word from the lyrics.

The You Tube file of the song Libya Don’t Be Sad may be a few weeks old now, but the message of the song and the video images are as powerful now as the day the song was first streamed. The song was written by a political prisoner of the Gaddafi regime, and sung by an opposition leader.

Other recent songs in support of the Libyan revolution include Libyan revolution - I hope by Sami Yusuf, Libya Tea Freedom Song From Martyrs Square Benghazi recorded at a rebel party, and Libyan Rebel DUBSTEP.

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Yusuf Islam, inspired by the revolutions and uprisings across the Arab World has written a song called “My People”. The song will be released as a free download in the near future. Yusuf Islam discusses the song during an interview (which includes a clip of the song) with Riz Khan for Al Jazerra English.

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Songs Play a Part in Ugandan Elections

February 26th, 2011 | Posted by John Powles in Africa | Elections - (Comments Off)

The Global Press Institute reports that songs have had an important role in the recent Ugandan elections. Judith Nabakooba, a PR officer for the Uganda Police Force released a song called Makuume Edembe to help promote a peaceful presidential vote in Uganda. Radio played a major part in the election process and Makuume Edembe was broadcast many times; commentators say that the playing of such songs was an important part in persuading voters to move away from the violence which has affected some previous elections.

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In a move reflecting what might become a uniting in solidarity of revolutionary movements across the Middle East, artists from Libya, Egypt, Tunisia and Algeria have joined together to produce Mixtape Vol. 1 , a compilation of songs about the recent uprisings and protests. The artists are El Génèral (Tunisia), Mr. Shooma (Tunisia), Mohamed Ali Ben Jemaa (Tunisia), Ramy Donjewan (Egypt), Ahmed Rock (Egypt), Revolution Recordz (Egypt), Lotfi Double Kanon (Algeria), and Ibn Thabit (Libya)

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Egypt Fight Song (Behead the King)

February 20th, 2011 | Posted by John Powles in Africa | Arab World Uprisings | Hip Hop | Middle East - (Comments Off)

Egypt Fight Song” (Behead The King) with Bird, The Truth, and produced by DJ Nas, a powerful hip hop summary of the feelings driving the Egyptian Revolution, is available from several web sources, and is an outstanding example of utilising the internet to promote songs for change.

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A YouTube user has uploaded a video of Amel Mathlouthi singing her own song Kelmti Hora (My Word is Free) at a protest vigil in Tunisia. A full performance with lyrics can be found on the Arabic Song Lyrics website.

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Esoldier video and Pink Floyd Music For Egypt

February 7th, 2011 | Posted by John Powles in Africa | Arab World Uprisings - (Comments Off)

World News has appropriated Esoldier’s video on World Peace with Pink Floyd backing as part of a protest urging President Mubarek to step down and leave Egypt. The video has previously been used to highlight a number of campaigns and causes.

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