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Following being awarded the 2011 Freemuse Award, Egyptian singer and songwriter Ramy Essam is releasing Al Midan, an album of Tahrir Square songs. The Freemuse Award Committee described Ramy as playing “an important role during the Egyptian revolution and suffered severe beatings and torture as a consequence. He personifies the powerful role that music played in the Arab Spring.” In his acceptance speech in Stockholm Ramy said “My dream is to spread the voice of Egypt all over the world. Thank you for helping me in that … I’d like to dedicate this award to the revolution and the Egyptian protesters. Please, a moments silence for the martyrs.” Ramy’s song Irhal (Leave), became an anthem of the protests. A quote from the lyrics makes Ramy’s message very clear:

We are all united as one,
And what we ask for,
Is just one thing: GET OUT! GET OUT! (x3)
Down, Down Husni Mubarak! (x4)
The people demand: Bring down the regime! (x4)
He is going away. We are not going anywhere! (x4)
We are all united as one,
And what we ask for,
Is just one thing: GET OUT! GET OUT! GET OUT! (x4)

The online e-zine Jadaliyya, an independent ezine produced by ASI (Arab Studies Institute), a network of writers associated with the Arab Studies Journal, has posted a video of protesters in Tahir Square singing their renewed demands for change on 27th May.

Mideast Tunes reports the release of Biyan Raqam Wahid, translated as Statement No. 1. or Communique No. 1, a rap song protesting against, and documenting, the violent government suppression of demonstrations and rallies against the authoritarian and repressive state, as an extract from the lyrics make clear:

We live in silence 
It’s been years

How long do we have to stay like this — dead 

They are always promising reform and freedom 

But it seems there is no will 
and opinions are banned

The song was released online and widely networked. The Mideast Tunes article makes the excellent point “Arab Spring raps strike the same tone as rap’s emergent themes when it was evolving as an American rebellious protest form in the 1970s, with strong roots in “street culture” of urban neighborhoods that spoke to global social and political conflicts. Like American rap’s original investment in formulating lyrics to convey a strong mobilization message.”

LA rapper Snoop Dogg controversially (in the true tradition of rap) appeared in a khandoura for the first hour of his recent concert at the Yas Arena in Abu Dhabi. Whilst seen by some as an expression by Snoop Dogg of empathy with UAE culture, many have been shocked and offended. Snoop changed into a white T-shirt with a small UAE flag on the side, and Etisalat written across the front. As well as meaning “communications”, Etisalat is also the name used by the Emirates Telecommunications Corp. Ltd., the company providing services for the Free Libyana mobile ‘phone database Free Libyana created during the 2011 Libyan civil war by disconnecting part of the Libyana mobile phone network from its central control in Tripoli and placing it under new control as an independent network.

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The You Tube file of the song Libya Don’t Be Sad may be a few weeks old now, but the message of the song and the video images are as powerful now as the day the song was first streamed. The song was written by a political prisoner of the Gaddafi regime, and sung by an opposition leader.

Other recent songs in support of the Libyan revolution include Libyan revolution - I hope by Sami Yusuf, Libya Tea Freedom Song From Martyrs Square Benghazi recorded at a rebel party, and Libyan Rebel DUBSTEP.

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Libyan-American hip hop artist Khalid M has released a powerful new rap in support of Arab Spring protests and uprisings. “Can’t Take Our Freedom,” which also features Lowkey. The song is an anthem for desperate measures against oppression:

When your voice is illegal
Only Choice for the people
Is to stand up proudly
In the face of death
It ain’t a waste of breath
When you speak up loudly

Khalad M has understandably strong personal feelings about the violence of the Gadhafi regime as he makes clear in part of the song:

Dad escaped jail and he dedicated..
His life to the cause but he never made it.
This ain’t about my father gettin’ retribution,
All my uncles gettin’ tortured with electrocution,
Other uncles gettin’ hung in public executions,
Just simply comin’ up with the best solution.
And I don’t know why it seems..
This guy’s regime keeps pushin’ through the silent screams,
Will take you half an hour to figure that this coward
Can only get his power through violent means.

The situation vis a vis the song seems very fluid – whilst still, apparently, available on YouTube, there is also a petition being circulated by Care2 on the grounds YouTube have taken down the clip because, YouTube says, of the violent scenes portrayed. The Petition is gathering signatures.

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Bahrain Uprising Lullaby

March 17th, 2011 | Posted by John Powles in Arab World Uprisings | Middle East - (Comments Off)

American campaigner Stephen Rose has written Bahrain Protest Lullaby in support of the protesters in Bahrain. The song is based on Woody Guthrie’s Hobo Lullaby.

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Yusuf Islam, inspired by the revolutions and uprisings across the Arab World has written a song called “My People”. The song will be released as a free download in the near future. Yusuf Islam discusses the song during an interview (which includes a clip of the song) with Riz Khan for Al Jazerra English.

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In a move reflecting what might become a uniting in solidarity of revolutionary movements across the Middle East, artists from Libya, Egypt, Tunisia and Algeria have joined together to produce Mixtape Vol. 1 , a compilation of songs about the recent uprisings and protests. The artists are El Génèral (Tunisia), Mr. Shooma (Tunisia), Mohamed Ali Ben Jemaa (Tunisia), Ramy Donjewan (Egypt), Ahmed Rock (Egypt), Revolution Recordz (Egypt), Lotfi Double Kanon (Algeria), and Ibn Thabit (Libya)

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Album Cover

Egypt Fight Song (Behead the King)

February 20th, 2011 | Posted by John Powles in Africa | Arab World Uprisings | Hip Hop | Middle East - (Comments Off)

Egypt Fight Song” (Behead The King) with Bird, The Truth, and produced by DJ Nas, a powerful hip hop summary of the feelings driving the Egyptian Revolution, is available from several web sources, and is an outstanding example of utilising the internet to promote songs for change.

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