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25th January is Burns Night, when people get together to celebrate the National Bard Robert Burns, by eating haggis, neeps, and tatties, proposing toasts to the aforesaid haggis, to The Lassies and various other groups of people (as many as possible in order to drink as many toasts as possible – usually whisky of course), to recite poetry, and to sing songs. Burns was an outstanding creator and adaptor of political songs and songs of social justice. Perhaps one of his greatest songs, and one often cited as a contender for the Scottish national anthem, is A Man’s A Man For A’ That, also known as Is There For Honest Poverty. The song is a powerful, inspirational, and internationalist paeon in praise of equality, social justice, and decency – and how relevant in our world of sordid political corruptions and spin; I wonder if Dave and Gideon have ever heard the song!

Many, many performances and recordings of the song have been laid down, such as Sheena Wellington’s moving rendition at the opening (or rather reconvening) of the Scottish Parliament on 1st July 1999; the first such event since the Act of Union in 1707, when that “Parcel of Rogues” (the Scottish nobility and establishment) betrayed the Scottish people for the sake of English gold. Catch a fine rendition by the Dubliners of a Parcel of Rogues.

At the other end, perhaps, of the performing spectrum, is this performance by Paolo Nutini , as performed at Glasgow’s Barrowlands – and a great version it is too!

The final verse says it all really:

Then let us pray that come it may

(As come it will for a’ that)

That Sense and Worth over all the earth

Shall have the first place and all that!

For all that, and all that,

It is coming yet for all that,

That man to man the world over

Shall brothers be for all that.

Happy Burns Night!

5 Song Set, an Oregon based Blog (“a semi-monthly five song music podcast, featuring an eclectic mix of generally upbeat music” to quote the blog’s website) is running a competition to determine the favourite song played during 2011, as selected by listeners.

Podcast Episode 9 posted on May 6th featured, to celebrate May Day, 5 songs about unions and the labour movement, one of which was Lads of the BLF by Roaring Jack. So, if you want to vote for the song, and perhaps win a prize for yourself as well as for the group, check out the website for full details.

Meanwhile, the lyrics of the song are as relevant here and now as they were when Alistair wrote the song about the struggles of the Builders Labourers Federation:

Corporations rule this land

Democracy’s a sham sir

They rob us blind at every turn

And then don’t give a damn sir

Alistair’s advice is also pertinent
“Stand up now for workers’ rights
And socialist reform sir”

CHECK OUT http://www.nme.com/nme-video/youtube/id/S_hnLKJWmnA/search/Roaring%20Jack

On Wednesday 18th January 2012 many internet sites intentionally blacked out for the day in protest against the SOPA (Stop Online Piracy Act] and PIPA [Protect IP Act] legislation now being advanced in the USA. The day of protest has been judged a success by some of the major organisations involved. Wikipedia stated:

More than 162 million people saw our message asking if you could imagine a world without free knowledge. You said no. You shut down Congress’s switchboards. You melted their servers. From all around the world your messages dominated social media and the news. Millions of people have spoken in defence of a free and open internet.

Meanwhile Facebook founder Mark Zuckerberg urged people to protest saying:

Tell your congressmen you want them to be pro-internet. We can’t let poorly thought out laws get in the way of the internet’s development. Facebook opposes Sopa and Pipa, and we will continue to oppose any laws that will hurt the internet.

Of course the internet with sites like YouTube, Facebook and the rest is a powerful tool for distributing activism against social injustice, including using songs as a vehicle for protests. Needless to say the SOPA / PIPA protests have led to the creating and posting of songs. The following examples demonstrate just how easy it can be to make protesting voices heard – no expensive equipment is required, no record industry moguls have to be grovelled to, no media pawns of government have to be persuaded – just do it and post it.

The first sample uses the age old method for creating a song of social justice – the adoption and adaption of an existing well known tune and lyric – in this case Don Maclean’s American Pie. Created by LaughPong, The Day The LOLcats Died – #SOPA #PIPA Protest Song includes some pertinent lyrics:

Why, why are laws a thing you can buy?
They got paid off, should be laid off, re-election denied
Our web means more than lawyers, lobbies and lies
So speak up before the internet dies
Speak up before the internet dies.

The next song – SOPA Cabana by Dan Bull seems to morph some South American musical influences with RAP delivery:

The American Government wants to CENSOR the Internet is pure rap by Okwerdz:

Finally in this brief selection Stop the SOPA Song is just a guy in his room with an acoustic guitar and some very clever lyrics.

Janey Buchan 1926 – 2012

January 16th, 2012 | Posted by John Powles in UK News - (2 Comments)

Janey Buchan, my mentor, friend, and wise advisor, died on Saturday 14th January.

Born in 1926 Janey spent her life engaged in the struggle for social justice for all; she tirelessly supported a host of campaigns and causes. Her formal career in politics include serving as a Councillor on Strathclyde Regional Council from 1974 to 1979, and as a Scottish Labour Member of the European Parliament from 1979 to 1994. Janey had a great passion for the arts and for culture in all its forms, especially for music and song. Janey married Norman Buchan in 1946. Norman served as Labour Member of Parliament from 1964 until his death in 1990, first for West Renfrewshire, and then for Paisley South.

I first met Janey in 1994 and we worked on many projects together over the years, including, following my early retirement in 2010, the establishing and developing of my Giving Voice Workshops initiative.

Janey was a great support and help to me throughout the 18 years I knew her, and I shall always be grateful for her enthusiasm, knowledge, and encouragement.

John Powles. 16th January 2012

Written by Allan Whalley of Chumbawamba, and starring Phil Jupitus with the Red Ladder Theatre Company, Big Society! A Music Hall Comedy will open on January 18th at Leeds City Varieties Music Hall. Big Society examines Cameron’s pseudo-Victorian vision of how society should work based on a muddled philosophy of volunteering, philanthropy and the negating of the state’s responsibilities for social welfare and wellbeing. Allan Whalley sets the action in 1912 saying “You look back to that Edwardian time, and you see pictures of Cameron and Boris Johnson in their tails at college – that photograph could come from 1912.” Whalley says his aim is partly to “recreate what music hall really was, which was a riotous, radical, interesting, good fun, great night out.”

Amnesty International, (described on its website as “a Nobel Peace Prize-winning grassroots activist organization with more than three million supporters, activists and volunteers in more than 150 countries campaigning for human rights worldwide. The organization investigates and exposes abuses, educates and mobilizes the public, and works to protect people wherever justice, freedom, truth and dignity are denied”), is celebrating its 50th anniversary by issuing a 76 track compilation of covers of Bob Dylan songs. Issued as a 4 CD set on 24th January, and available for downloading, the set is called Chimes of Freedom – encapsulating the ethos of Amnesty, as well as highlighting one of Dylan’s greatest and most powerful songs; the original 1964 recording by Dylan concludes the set.

Among the contributors are Pete Seeger (singing Forever Young), Ziggy Marley, Billy Bragg, Tom Morello, Joan Baez, Seal, and Jeff Beck. The set ranges across genres including rock, rap, hip hop, pop, folk, country, jazz, and blues.

Chimes of Freedom Chimes of Freedom is produced by Jeff Ayeroff and Julie Yannatta, who have stated “This album is a powerful fusion of the music community’s respect for Amnesty’s life-affirming work and for Bob Dylan’s enduring brilliance.” Karen Scott, Amnesty International’s Manager of Music Relations, comments:

Bob Dylan’s music endures because he so brilliantly captures our heartbreak, our joy, our frailty, our confusion, our courage and our struggles. His words convey a depth of meaning that few artists can equal, inspiring us and always moving ahead of our expectations. We at Amnesty International are deeply grateful to this legendary musician and to all of the artists who have contributed to this project.